|A Treatise on Portrait Painting – An Exploration in Palettes & Styles
by Cheryl Kline – Hardcover: 197 pages; Publisher: artistsoftheroundtable.com; First edition (May 1, 2015)
During traditional artistic training, so often the individual artist becomes honed into a style that has been repeated for centuries. And while during initial training that may be fine, eventually artists need to develop their own unique style. A Treatise on Portrait Painting – An Exploration in Palettes & Styles
takes the artist on an artistic journey, exploring many styles of portrait painting based on workshops and personal studies of the author, Cheryl Kine. Kline guides you step by step from her own process painting and makes a world of information accessible to even a beginning portrait artist. For those artists who have been painting a long time, she challenges you to bend and break the rules as well as your comfort zone, to try to discover something unique in the description of the model you are painting.
Pastel Book: Materials and Techniques for Today's Artist (Paperback)
by Bill Creevy Paperback, 176 pages 2 edition (August 1999) Watson-Guptill Pubns Best Seller
Absolutely the most thorough guide to pastel materials and techniques ever assembled in a single volume, this is the book for anyone working with pastels, from beginners to experienced artists looking to develop more professional skills. 450 color illustrations.
Making Color Sing
by Jeanne Dobie Paperback, 160 pages (April 15, 2000) Watson-Guptill Pubns
Through clear, illuminating exercises, this best-selling book stimulates new ways to think about color, generating responses that unlock personal creativity and allow artists to express themselves with paint as never before. Readers are shown how the interplay of complementary hues can trigger vibrations; how the push and pull of warm and cool colors can create a feeling of space; how to disguise one color in a scene to accent another; and many more tidbits of colorful advice. From SOG artist Chris Saper:
"Hands down, one of the most well written and usefully illustrated book on color theory available".
The Simple Secret to Better Painting: How to Immediately Improve Your Work With the Golden Rule of Design
by Greg Albert Paperback: 128 pages Publisher: North Light Books; 1st edition (May 2003)
Composition is one of the most important elements to any painting, but it can also be one of the most intimidating. The long list of rules for designing and structuring a work is complicated, hard to remember and downright mystifying. In this simple resource, Greg Albert boils it all down to one golden rule: Never make any two intervals the same. He demonstrates this fool-proof technique with clear, concise diagrams, before-and-after student paintings and samples from todays top painters. Readers will get to learn from the work of Frank Webb, Tony Couch, Zoltan Szabo, Tony Van Hasselt, Tom Lynch and many more! Artists of all levels with find this secret to great composition easy to remember and even easier to use. Greg Albert is Editorial Director of North Light Books. Hes also an artist, author and teacher who lives in Cincinnati, Ohio.
Color Mixing Bible: All You'll Ever Need to Know About Mixing Pigments in Oil, Acrylic, Watercolor, Gouache, Soft Pastel, Pencil, and Ink
by Ian Sidaway Paperback: 144 pages Publisher: Watson-Guptill Publications (April 1, 2002)
Mixing colors accurately may be an art unto itself. In fact, many artists are discouraged by the time and expense it takes to mix and match colors, and achieve the right results. Even more frustrating is the vast range of colors available. Now there's a ready-to-use visual directory that takes all the guesswork out of mixing and matching colors . . . making every artist an expert! Color Mixing Bible provides a basic color palette for each art medium, demonstrating an array of two-, three-, and four-color mixes, as well as offering full explanations of various paints and pigments. This invaluable guide features scores of tips and techniques for color mixing with oils, acrylics, watercolors, inks, pastels, and virtually every other art medium. It also includes in-depth information on how to determine the opacity and strength of a color, choose a color palette, mix whites, arrange and organize colors prior to mixing, use optical and physical mixing techniques, and much more! Plus, hundreds of color illustrations make everything simple. Whether one is an aspiring artist or working professional, Color Mixing Bible is an essential addition to every bookshelf.
The Painter's Handbook
by Mark David Gottsegen Paperback, 320 pages, Watson-Guptill Pubns (December 1993)
A thorough resource presenting details on the vast array of materials available to the artist, including canvases, papers, sizes, grounds, pigments, binders, solvents, thinners, varnishes, and preservatives. Separate chapters are devoted to each painting mediumits composition, characteristics, and methods of application. A final section examines the different means for preserving works of art and for repairing and restoring paintings. Recipes for making art materials are included throughout, and health and safety issues are given their due. Annotation copyright Book News, Inc.
The Oil Painting Book: Materials and Techniques for Today's Artist
by Bill Creevy Paperback, 176 pages (March 1999) Watson-Guptill Pubns
Offering information on the full scope of oil painting materials and how to use them to derive the best results from the medium, this indispensable encyclopedia compares leading brands of paints; describes mediums, solvents, and varnishes; and discusses brushes, palettes, and other tools. 335 color illustrations.
Hilary Page's Guide to Watercolor Paints
by Hilary Page Paperback (February 1997) Hilary PageHILARY PAGE'S GUIDE TO WATERCOLOR PAINTS
is now offered with regular, free, on-line updates . The web site for the updates is listed in the front of each copy of the book.
Artist's Manual: A Complete Guide to Painting and Drawing Materials and Techniques
by Angela Gair (Introduction) Paperback, 256 pages (September 1996) Chronicle Books
A veritable bible for beginners as well as an invaluable reference for accomplished artists, The Artist's Manual
is a hands-on guide to hundreds of techniques for painting and drawing. This easy-to-use manual clearly explains the artist's essential tools and materialhow to choose them, how to use them, and to care for them. Includes 523 color photos and 234 color drawings.
The Artist's Handbook of Materials and Techniques
by Ralph Mayer, Steven Sheehan Hardcover, 761 pages 5th Rv&upd edition (May 1991) Viking Press
An earlier edition of this classic is recommended by BCL3. This edition of the reference is revised by Steven Sheehan (Yale Art School). It covers pigments, oils, acrylics, tempera, grounds, watercolor, pastel, mural painting, gums, waxes, chemistry, conservation and various other topics including toxicity. Annotation copyright Book News, Inc. Portland, Or.
Portrait Painting Atelier: Old Master Techniques and Contemporary Applications
~ Suzanne Brooker (Author), Domenic Cretara (Foreword) Hardcover: 208 pages Watson-Guptill (March 9, 2010) Best Seller
"Portrait Painting Atelier" provides serious artists with a course of instruction that demonstrates in step-by-step detail the old masters' technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. In this method, the tone of the ground serves to unify the overall painting as well as optically influencing the thinly applied layers of pigment, creating the effect of a beautiful glow that illuminates the skin tones and achieves a soft blending of colour tones.
Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice
~ by Juliette Aristides Hardcover: 256 pages Watson-Guptill; 1st edition (April 1, 2008)
Students of art hailed Classical Drawing Atelier
, Juliette Aristidess first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning. In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and todays most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for todays artists, Classical Painting Atelier
is ideal for serious art students seeking a timeless visual education.
A Painter's Guide to Design and Composition: 27 Masters Reveal Their Secrets
by Margot Schulzke Hardcover: 144 pages Publisher: North Light Books (February 7, 2006)
Now every artist can learn directly from the modern masters. This book shows painters how to create great artwork through great compositionusing advice and examples from 27 of the world's best living painters. Readers will find:
Paintings and inspirational advice from such renowned artists
as Albert Handel, Daniel Greene, Bill James, and Clark
Sketches, diagrams, line drawings, and schematics that break
down the basics of composition and show how artists think
as they create
Nine demonstrations, by nine different artists, that
encompass a variety of subject matter and mediums
This can't-miss guide gives artists all the tools they need to master composition and build better paintings!
Color by Betty Edwards: A Course in Mastering the Art of Mixing Colors
by Betty Edwards Paperback: 224 pages
Publisher: Tarcher (September 23, 2004)
Millions of people have learned to draw using the methods of Dr. Betty Edwards's bestseller The New Drawing on the Right Side of the Brain
. Now, much as artists progress from drawing to painting, Edwards moves from black-and-white into color. This new guide distills the enormous existing knowledge about color theory into a practical method of working with color to produce harmonious combinations.
Using techniques tested and honed in her five-day intensive color workshops, Edwards provides a basic understanding of how to see color, how to use it, and-for those involved in art, painting, or design-how to mix and combine hues. Including more than 125 color images and exercises that move from simple to challenging, this volume explains how to:
see what is really there rather than what you "know" in your mind about colored objects
perceive how light affects color, and how colors affect one another
manipulate hue, value, and intensity of color and transform colors into their opposites
balance color in still-life, landscape, figure, and portrait painting
understand the psychology of color
harmonize color in your surroundings
While we recognize and treasure the beautiful use of color, reproducing what we see can be a challenge. Accessibly unweaving color's complexity, this must-have primer is destined to be an instant classic.
Formulas for Painters
by Bernard Stanford Massey Paperback, Watson-Guptill Pubns, (December 1988)Reader review:
This book is essential if you are interested in making your own style. Formulas for Painters is a cookbook full of sizing,paints,grounds, mediums, glazes, varnishes, fixatives, and adhesive recipes for the artist that wants more then what they can find in an over-priced art supply store.
by Stephen Quiller Hardcover
, 144 pages (October 1989) Watson-Guptill Pubns.
by Stephen Quiller Paperback
: 144 pages Publisher: Watson-Guptill Publications; New Ed edition (May 2002) From SOG artist Chris Saper:
"Hands down, one of the most well written and usefully illustrated book on color theory available."
The Artist's Handbook
by Ray Smith Paperback: 352 pages Publisher: Dorling Kindersley Publishers Ltd (October 1987)
In this handsome and substantial handbook, a classic approach to the technical aspects of art, British artist Smith presents a wealth of information on established materials that he organizes first by functionpigments, resins, solvents, and the likethen by media categorized according to discipline. For instance, his section on drawing contains detailed entries on oil pastels, charcoal, and conte crayon. Painting elicits descriptions and depictions of the uses of watercolor, oils, and acrylics. In the printmaking and digital media and photography categories, Smith focuses more on method than media, with subsections on intaglio, lithography, and screenprinting in the former, and, in the latter, a 10-page discussion of computer manipulation of digital images. Throughout, he amply employs full-color illustrations and demonstrations as examples and teaching aids. This excellent overall guide to the visual arts boasts multiple appendixes on color, perspective, health, and safety. With glossary and index, this far-ranging overview is hard to beat. Whitney Scott Copyright © American Library Association.
Color Theory Made Easy: A New Approach to Color Theory and How to Apply It to Mixing Paints
by Jim Ames Paperback, 112 pages (April 1996) Watson-Guptill Pubns
Artist Ames contends that the reason artists struggle with color is because the old primary color scheme is wrong. He advocates an alternative approach using cyan, magenta, and yellow, explaining his conclusions and why these three colors are so vital to accurate color presentation. Who cares? Well, Ames persuades and convinces by friendly text, diagrams, and colorful examples that the end result with his schemes are more lively and balanced, a really important attribute of successful art (and he also tells the reader how to select and mix paint too). No bibliography. Annotation © by Book News, Inc., Portland, Or.