|The Treasures of the Impressionists
by Jon Kear Hardcover: 64 pages; Andre Deutsch; Slp edition (February 3, 2015)
No other movement has had as great an impact on art in the last 200 years, nor been as popular with museumgoers, as the Impressionists. This breathtaking volume—filled with fabulous facsimile artifacts, including letters, reviews, posters, preliminary sketches, palette lists, and more—looks at the journey these great painters endured to establish themselves in the art world.
Impressionist Cats and Dogs: Pets in the Painting of Modern Life
by James H. Rubin Hardcover: 156 pages; Yale University Press; (November 1, 2003)
Impressionism was revolutionary, and impressionist artists purposefully portrayed animals as symbols of their dissent. Cats and dogs stood for sexuality, independence, loyalty, and the artists' self-image, and Rubin's lavishly illustrated volume explores exactly "how pets in art reveal artists' attitudes not just toward animals, but toward the people they painted, including themselves in their identities as artists." Beginning with a brief overview of the symbolic meanings of pets in ancient Egyptian, medieval, and modern art, Rubin quickly focuses on impressionist works and the symbolic and realistic roles animals played in such noteworthy paintings as Manet's rebelliously sensual Olympia
and its opposite, Renoir's Madame Charpentier and Her Children
, which celebrates the natural place pets played in the rise of the middle classes. Rubin also discusses pets in the paintings of Monet, Caillebotte, Seurat, Cezanne, and Courbet, whose cat in The Studio of the Painter
embodies the artist's determination to retain his artistic independence. An unprecedented, revealing, and enjoyable new angle on a much examined movement. Lauren Roberts Copyright © American Library Association. All rights reserved
Impressionists in Winter: Effets De Neige
by Charles S. Moffett, Eliza E. Rathbone, Katherine Rothkopf, Joel Isaacson Hardcover: 240 pages; (October 1999) Philip Wilson Pub Ltd
It may seem eccentric to gather together paintings according to the season they depict, but this large, handsome volume will make readers wonder why no one thought of it before. Winter is different from the other three seasons, with its extraordinary range of color and lightfrom subtle grays and pinks to deep blues and yellowsand the distinct absence of that difficult color, green. This book, the catalog of an exhibition at the Phillips Collection in Ashington, D.C., is a collection of more than 60 large color plates of impressionist paintings. They form a surprising group that presents each paintingeven if it is already familiarin a new way
by Ron Ranson Paperback: 128 pages; (March 1999) Sterling Publications
Master teacher and bestselling author Ron Ranson introduces his favorite watercolor impressionists, along with clear, insightful commentary. The fourteen artists featured include Trevor Chamberlain, Edward Seago, John Yardley, and Barbara Crowe. Over 100 works appear in brilliant color in an oversize format. 128 pages, 136 color illus., 15 b/w illus.
Impressionism: Reflections and Perceptions
by Meyer Schapiro Hardcover: 360 pages; George Braziller, 1997Los Angeles Times Sunday Book Review, Richard Sennett:
Not a word is wasted. And the words are rich; Schapiro's prose possesses an unequaled power to wake up the reader's eye. This is probably the only book ever to relate Impressionism to Egyptian sculpture, Roman wall paintings, Chinese landscape scrolls, Immanuel Kant, Karl Heinz Helmholz and Gustave Flaubert, as well as to Pollock. Yet Schapiro never displays his learning as if he's waving a flag; he quotes and refers only to strengthen the reader's visual experience. What makes this book so compelling, though, is his depiction of Impressionism as a way of life as well as of art, an embrace of one's sensual experience and of the people and places that arouse it.
Art in the Making: Impressionism
by David Bomford, Jo Kirby, John Leighton, Ashok Roy Paperback: Yale University Press, 1991
Impressionist art appears to be effortless and spontaneous, but it actually involves an intricate approach to painting. In this book a curator, an conservator, and two scientists use modern methods of examination to investigate exactly how these paintings were done and what materials were used. 76 illustrations; 208 color plates.
25 Impressionist Masterpieces
by Frank Getlein Paperback: 64 pages; Harry N. Abrams (March 1, 1995)Reader review:
This book contains prints of impressionism. It has pieces from Monet, Van Gogh, and other famous artists. It is nicely arranged, and also gives you some information about the artist and the print. This book would be a great gift for those who love art.
Impressionism: Beneath the Surface (Perspectives)
by Paul Smith Paperback: 176 pages; Harry N Abrams (May 1995)
In this book, Impressionism is presented not merely as a style of art, but also unveils how the artists themselves may be viewed within the context of their own social and cultural "moment." While providing an orderly survey of the great artists for the general reader; the book also imparts new ideas about the Impressionists for readers more familiar with the subject.
Impressionism and Post Impressionism
by Nathalia Brodskaya Hardcover: 256 pages; Box set of two books in slip case Parkstone Press (March 30, 2007)
Impression... who better than Monet in 1867, could have defined what was to become the most well-known and beloved pictorial movement? Nevertheless, it took more than thirty years for these artists (Manet, Monet, Pissarro, Renoir...) to be accepted and acknowleged by their contemporaries. Impressionism was the first step towards modern painting, and it revolutionned an artistic background suffocated by academic norms. Taking the Impressionistic revolution even further, Post-impressionism was to completely liberate the colour and revealed unknown horizons
by Norma Broude Hardcover: 424 pages; Harry N Abrams; Reprint edition (September 1, 1994)
In a much-needed, revelatory survey, impressionism is seen not as a French school but as a major event in the world's visual culture. The luminous palette and spontaneous brushwork of Renoir, Monet et al. inspired or coincided with an individualistic, responsive approach taken by painters from Canada and Latin America to Russia and the Far East. In Britain, the impressionist impulse helped liberate artists from Victorian painting's moralizing norms; in Japan, it fostered a style able to convey the artist's unique personality; in places as diverse as Italy, Finland and Australia, it became linked with nationalist aspirations. Childe Hassam (U.S.), Anders Zorn (Sweden), Ilya Repin and Igor Grabar (Russia) and Joaquin Sorolla (Spain) are among scores of painters profiled in a marvelously illustrated volume that will forever change the way we look at impressionism. Art historian Broude led an international team of scholars in this effort. Copyright 1990 Reed Business Information, Inc.
by Ingo F. Walther Hardcover: 712 pages; Benedikt Taschen Verlag (October 1997)
This comprehensive guide to the influential art movement traces the history of French Impressionism, Neo-Impressionism, and Post-Impressionism as well as related, parallel movements in Europe and in North America. Includes a biographical appendix of 236 Impressionists, from the well-known to the less familiar. Full-color and black-and-white plates. 9 3/4" x 12 1/2".
Impressionism: Paintings Collected by European Museums
by Ann Dumas, Michael E. Shapiro, High Museum of Art, Caroline Durand-Ruel Godfroy Hardcover: 272 pages; Harry N. Abrams; 1st edition (March 1, 1999)
Impressionist works are among the most prized and popular museum possessions, yet European museums scorned them until the end of the 19th century. This exhibition catalog, compiled by a group of international art scholars, concentrates on the dealers, collectors, donors, and museum specialists in 13 European countries responsible for finally winning official sanction for Impressionism. Some 68 clear, full-page color plates, which display the oeuvre of 19 impressionist artists, are accompanied by detailed descriptions highlighting the provenance of each work.
Origins of Impressionism
by Gary Tinterow, Henri Loyrette Hardcover: 486 pages; Harry N Abrams (November 1994)
A lavishly illustrated catalog of a major exhibition at the Metropolitan Museum of Art in New York explores the special relationships between the Impressionist painters, discusses the paintings themselves, and includes bibliographies of two hundred works.
The Impressionist Print
by Michel Melot, Caroline Beamish (Translator) Hardcover: 296 pages; Yale University Press (January 31, 1997)The Publisher:
A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.
Impressionism: The Painters and the Paintings
by Bernard Denvir Hardcover: 424 pages; Fox Chapel Publishing Company (August 14, 1999)
Impressionism as an artistic movement was rooted in France in the middle of the 19th century. This beautifully illustrated book present the history of development and expansion of the Impressionism between 1874 and 1886. Impressionists were the first western artists to find inspiration outside the boundaries of Europe, and the first to be influenced by the world of popular imagery which had been despised for centuries. Bernard Denvir, in his splendidly lively and entertaining text, shows how Impressionism, in substituting a perceptual rather than a conceptual way of recording reality, was at once the last significant statement of visual pragmatism which would profoundly alter our attitudes both to nature and to life itself.
Splendid Legacy: The Havemeyer Collection
by Alice Cooney Frelinghuysen, Gretchen Wold, Gary Tinterow Hardcover: 432 pages; Metropolitan Museum of Art (September 10, 1993)
The fabulous Havemeyer Collection of Manhattan's Metropolitan Museum of Art is sampled in this exhibition catalog. Coupling 800 plates (176 in color) with informative essays by a team of 27 scholars led by exhibition co-curators Frelinghuysen and Tinterow, the album includes works by Rembrandt, El Greco, Veronese, Cranach, Bronzino, Daumier and Courbet, plus impressionist masterpieces by Corot, Manet, Monet, Cezanne, Renoir, Degas and Mary Cassatt. That Louisine Havemeyer (1855-1929), husband Henry (1847-1907) and their family possessed broad taste in Asian arts is evident in objects ranging from Japanese woodblock prints to a Korean hanging scroll. Their eclectic passion for the decorative arts is also on display in Egyptian sculpture, Islamic painting and pottery, Venetian glass, Italian majolica and Tiffany glass and flatware. Copyright 1993 Reed Business Information, Inc.